Works

Ensemble Works

Everything is an Illusion, 2022 (for baritone, trumpet, bass clarinet, trombone), 7'42"

Everything is Real, 2022 (for reed quintet) 6'30"

Super_Human, 2021 (for violin, cello, interactive audio and projected video), c.45'

Spoils V, Grounds, 2016 (for violin, cello, interactive audio and projected video), c.11'

Three Reconstructions, 2014 (for five instruments and computer), c.15'

Stops VIII, 2014 (for violin, harpsichord and computer), 7'17"

Sketch, 2011 (for voice, viola, harpsichord, computer), 10'54"

Stops II, 2008 (for violin, double bass, organ, computer), 6'25"

Spoils III, Stones, 2016 (harpsichord, 2 violins, cello and computer), 11'21"

Stops VI, 2013 (flute, bassoon, harpsichord, computer, 7'37"

Still II, 2008 (soprano, bass clarinet, computer), 7'34"

Ensemble, 2006 (flute, clarinet, violin, viola, cello, double bass, computer), 5'31"

Fun with Numbers, 2006 (guitar ensemble and fixed media), 3'28"

The Musicians of Bremen, 2005 (cello, double bass, fixed media), 3'58"

Industrial Society and Its Future, 2000 (flute, clarinet, violin, double bass, piano, two voices), 4'31"

 

Solo Works

Double, 2021 (for flute and computer), 6'46"

Fake, 2021 (for piano and computer), 7'10"

Mixed Synthetic Fabrics, 2018 (for piano and computer), 6'53"

Stops VIII, 2014 (for piano and computer), c.13'

Ground, 2012 (for organ and computer), c.10'

Stops V, 2010 (for cello and computer (c. 8'02")

Stops IV, 2009 (for harpsichord and computer (10'19")

Stops III, 2009 (for viola and computer (8'33")

Stops I, 2007 (for guitar and computer (5'30")

Still I, 2006 (for cello and fixed media (4'35")

 

Fixed Media and Generative Works

Tyndall's Blues, 2020 (installation for vinyl, glass, light, loudspeakers, computer, and generative sound), in collaboration with Mark Joyce, VISUAL Carlow, 23 July – 18 October 2020

Ground and Background, 2017 (multi-channel fixed media, for concert/installation), 10'

Spoils I, Unearths, 2016 (multi-channel fixed media), 10'18"

Spoils IV, Remains, 2016 (for multi-channel, fixed media and video), 8'48"

Manchester Material, 2008 (for multi-channel fixed media), 4'16"

Quarters, 2004 (for multi-channel fixed media), 8'05"

76 Seconds of Distorted Pulses, 2005 (for two-channel fixed media), 1'16"

Cloud Types for Auditors, 2004 (for fixed media 3D sound), 13'15"

Pass, 2004 (for two-channel fixed media), 6'01"

Rain, 2003 (for multi-channel fixed media), 11'58"

Rainground, 2003 (for multi-channel fixed media), 7'59"

In the Meantime, 2003 (for two-channel fixed media), 8'53"

Rise, 2003 (for multi-channel fixed media), 13'03"

Falls, 2000 (for two-channel fixed media), 13'00"

 

Voice + Computer Works

I'm a Helicopter, 2005, voice and computer (c. 3')

Duet, 2003, voice and computer (c. 10')

Elsewhen, 2003, one or two voices and computer (open duration)

Represent, 2003, two voices and computer (c. 7')

Present, 2002, two voices and computer (c. 12')

 

Choral Works

...and surfacing swims..., 2002, SATB choir (5'22")

Song for Astrid, 1998, SATB choir (4'21")