| Concerts |
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| Cloud Types for Auditors and Falls
Acousmain and Hannes Seidl present a special concert of
spatial works by Dublin composers and including works by Linda
Buckley and Judith Ring.
Acousmain 23
The Dubliner's Ear
Atelierfrankfurt
Vortregssall 2. OG
Hohenstaufenstrase 13–25
D-60327 Frankfurt am Main
24 November 2011
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Sketch! (for actor,
viola, harpsichord and computer)
Interactive work based on Beckett's 'Worstward Ho'. The
instrumentalists and actor interact with the computer and
with each other to trigger recording and playback of the performance
during performance time. Other works include:
• Karlheinz Essl, More or Less (for computer-controlled
soloists)
• Jean-Claude Risset, Pentacle (harpsichord/electronics)
• Luca Francesconi, Animus II (viola and electronics)
www.centreculturelirlandais.com
Centre Culturel Irlandais,
rue des Irlandais,
Paris
12 April 2011
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Quarters (for 4 loudspeakers)
Premiere of Quarters, a 4-channel, abstract, noise-based, tape
piece originally conceived for presentation in separate but
adjacent spaces. The audience can choose to hear individual
parts in isolation, or with other parts at a distance, and
move between the adjacent spaces without ever quite hearing
a coherent whole at any one moment.
Quarters will be featured in 'Abstract', a multi-channel loudspeaker
presentation by Hear This Space,
a collective of sound artists and composers who organise site
sensitive, spatial sound events, at Leicester's Fabrika.
Hear This Space - Abstract
Fabrika
Humberstone
Gate
Leicester
25 March 2011 (8.00pm – 11.00pm)
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Still, Elisions (for bass clarinet,
soprano, computer and 3 loudspeakers)
Premiere of recent work setting Bill Husband's poem, Still.
Performed by Paul Roe and Elizabeth Hilliard.
http://bealfestival.wordpress.com
Beal
Festival
Kevin Barry Room,
NCH
Dublin
3 November 2010 (7.30 pm)
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Pulses (for two loudspeakers)
Presented at Música Viva Festival 2010 “Sound
Walk”, an outdoor stereo installation
along a 100-meter walkway that leads to the main entrance of
the Belem Arts Centre concert hall. Composed of several loudspeakers
placed on each side of this walkway, the “Sound Walk” will
run daily from 10am to 12pm.
http://www.misomusic.com/2010musicaviva/Sound_Walk.html
Música
Viva Festival 2010
Belem Arts Centre
Lisbon
16–19 September 2010
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Dublin Sound Lab, The Late
Harpsichord
Performance with Michael Quinn (harpsichord)
featuring a new work for harpsichord and 8 loudspeakers,
and also:
J. S. Bach Movements from Goldberg Variations
Julio
d’Escrivan's reGoldberg
Nick
Collins Suite with Interruptions, Ailís
Ní Ríain 2
Steep 4 Sheep
www.dublinsoundlab.ie
St Werburgh's Church,
Werburgh Street
Dublin
28 November 2009
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Dublin Sound Lab, Garth
Knox - Solo
Performance with Garth Knox (viola). Programme
will include:
Gérard Grisey, Prologue for viola
and electronics
Salvatore
Sciarrino, 3 notturni brillanti for solo
viola
Kaija Saariaho, Vent Nocturne for viola and
electronics
Garth Knox, Viola Spaces for solo viola
Luca Francesconi, Animus
II for viola and electronics
www.dublinsoundlab.ie
St Werburgh's Church,
Werburgh
Street
Dublin
26 November 2009
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Manchester Material (for
8 loudspeakers)
Manchester Material was selected for the
ISCM World New Music Days (www.listentotheworld.se),
which will take place in Sweden between 24 September and 4 October
2009.
ISCM WMD
Kronhuset
Göteborg
4 October 2009
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Take a look at my sound
Five composer
had there music pieces interpreted into visual art/ video/installation/sculpture.
The participating artists and composer are:
Jean-Luc Darbellay ”Shadows
fur Percussionsensemble” -
Camilla Boström
Hanna Hartman ” Night Lock”-
Arvid Wretman
Fergal Dowling ”Manchester Material”-
Olof Broström
Pui-Shan
Cheung ”Dai Pai Dong”- Emma Åkerman
Oscar
Bianch ”Crepuscolo”- Truls Mörck & Daniel
Wendler
Galleri
ORO
Göteborg
24 September – 4 October 2009
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Shuffle
Computer-mediated
performance with the Peter Wiegold's ensemble notes
inégales (www.notesinegales.co.uk).
Shortlisted by Sound and Music (www.soundandmusic.org)
following their call for musical ‘postcards’ around
the theme of ‘shuffle’, ‘swing’, or
'notes inégales'. Fergal will perform at the computer
with the ensemble notes inégales at Kings Place,
London.
King's Place
London
6 September 2009
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Manchester Material (for
8 loudspeakers)
Manchester Material has been selected for inclusion
in the Japanese Society of Electronic Music / Musicological Society
of Japan Electroacoustic Festival 2009. The work will be performed
in the opening concert of electroacoustic pieces at the Aichi
Art Theatre, Nagoya on 9 April 2009. The concert
will also feature works by Pete Stollery (UK) and Françis
Dohmont (France).
JSEM/MSJ Japan Electroacoustic Festival
2009
Aichi Art Theatre
Nagoya
May 2009 (6.30pm)
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Falls
Special presentation at ohrenhoch
der geräuschladen (www.ohrenhoch.org) in continuous
loop from 2 pm until 9 pm
ohrenhoch
der Geräuschladen
Weichselstrasse 49,
Berlin-Neukölln
28 December 2008 (2.00pm to 9.00pm)
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In The Meantime
Special presentation
at ohrenhoch der geräuschladen (www.ohrenhoch.org)
in continuous loop from 2 pm until 9 pm
ohrenhoch der Geräuschladen
Weichselstrasse 49
Berlin-Neukölln
21 December 2008 (2.00pm to 9.00pm)
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Stops
New work for organ, violin, double
bass, trumpet, and electronics to be premiered by Dublin
Sound Lab.
Also works by Mauricio Kagel, John Cage, Wim de Ruiter, Karlheinz
Essl, and Peter Ablinger.
Michael Quinn - organ
Fergal Dowling - computer
Marja Tuhkanen - violin
Mercedes Carroll - double bass
St Teresa's Church, Clarendon Street
Dublin
21 November 2008 (8.00pm)
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Pass (for 2 loudspeakers)
Miso Music Portugal (www.misomusic.com),
Electroacoustic walkway. This version for "Sound Walk" in
an outdoor stereo installation along the 100 meter walk way
that leads to the main entrances of the Belem Arts Centre concert
halls. Several loudspeakers will be placed on each
side of this walk way. "Sound
Walk ... an innovative collective sound installation, which will
accompany the visitors at Belém Art Centre during their
visit through the walking hallway: 142 works were sent from
28 countries, among which 36 were selected to take part in
this Sound Walk 2008."
20–27 September 2008 (10.00 a.m.–12.00pm)
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Manchester Material (for
8 loudspeakers)
ICMC 2008 (http://www.icmc2008.net)
Sonic
Arts research Centre
QUB
Belfast
24–29 August 2008
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Cloud Types for Auditors
Sonic Residues Festival (http://sonicresidues.net)
Stony
Brook University
29 April – 12 May 2008
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Manchester Material (for
8 loudspeakers)
Oscar Peterson Concert Hall, Concordia University, Montréal.
Also works by Peter Batchelor, Chin-Chin Chen and Hans Tutschku.
Webcast
available here.
7 February 2008 (2.30pm)
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Still (for cello and tape)
Grup XXI, Mark Friedhoff - cello
Sala Mompou
Sociedad General
de Autores de España
Passeig Colom
Barcelona
31 October 2007 (9.00pm)
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Pass (for two loudspeakers)
Presented
as installation at Futuresonic 07 Manchester
Futuresonic07
Manchester
Victoria Baths
Manchester
11-13 May 2007
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Duet (for percussion and
computer)
Real-time
interactive piece for computer and solo percussionist, presented
in the closing concert of the EAR-drum Festival at the Project
Arts Centre, Dublin. EAR Ensemble with Thomas Frisch, percussion.
EAR-drum
The Project Arts Centre
Dublin
31 March 2007
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Concert of Austrian and German electro-acoustic and percussion
music
Concert of new electro-acoustic and percussion music by some
of the leading composers and sound installation artists from
Austria and Germany. This project is supported by the Goethe
Institute, Dublin.
Maeve O'Hara - percussion
Fergal Dowling - computer
Programme:
Bernhard Gal, Defragmentation/blue ('tape')
Hannes Seidl
(www.stock11.de),
Gegenkontrolle (percussion and 'tape')
Christoph Ogiermann, I don't need any work,
I've GOT enough to do ('tape')
Peter Ablinger, Kleinetrommel (Snare drum and FM-radio)
Christoph
Ogiermann, The last gets bitten by the dog:
NO sound-installation ('tape')
Karlheinz Essl (www.essl.at),
fLOW (improvised percussion and live computer)
EAR-drum
The Project Arts Centre
Dublin
29 March 2007
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Rise, Falls, Pass, Rainground,
Cloud Types for Auditors and In The Meantime
3-D surround sound concert. All pieces were specially rerendered
for 14-channel ambisonic loudspeaker array (the largest ambisonic
loudspeaker array used in RoI), opening concert in the EAR-drum
Festival.
EAR-drum
The
Project Arts Centre
Dublin
27 March 2007
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Still (for cello and tape)
Also
works by EAR Ensemble composers: Victor Lazzerini, Gordon Delap,
Steven Yi, Brian Bridges, and Jason Dixon.
Lioba Petrie - cello
Aula Maxima
NUI Maynooth
8 March 2007
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Still (for cello and 'tape')
At
EAR-plugged Festival of Electro-acoustic Music 2006. The festival
featured audiovisual works, 'tape' music, live electronic music,
mixed works.
Lioba Petrie - cello
EAR-plugged Festival
of Electro-acoustic Music 2006
The LAB
Foley Street,
Dublin
8-9 December 2006
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Ensemble (for ensemble
and MaxMSP)
A new piece specially
written for the EAR Ensemble premiered in the National Concert
Hall as part of the NCH Composers' Choice series. Also works
by: Victor Lazzarini, Michael Maierhof,
Ben Dwyer, Trevor Wishart, J. S. Bach.
National Concert
Hall
Dublin
26 November 2006
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58 seconds of distorted pulses
At Unsafe Festival of improvised and
experimental music.
The
Lighthouse
The Lighthouse
Poole
Dorset
11 November 2006
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Still (for cello and CD)
Adrian Mantu - cello
Concorde
Galway
Museum 2.00pm
Galway Arts Centre 4.00pm
29 July 2006
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Fun with Numbersand More
Fun with Numbers
Premiered by the German guitar orchestra
Ensemble GuitArt, at NUI Maynooth, County Kildare, as part of
their tour of Ireland.
http://mitglied.lycos.de/guitart
7
June 2006
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Cloud Types for Auditors
Special stereo edition released on CD by Furthernoise
and broadcast on Resonance
FM. Also on Furthernoise web-site audio player during March
and April. Review and full CD listing see:
http://www.furthernoise.org
27 March 2006
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In The Meantime (for two-channel
tape)
Broadcast, RTE Lyric FM new music programme, 'Nova'.
http://www.rte.ie/lyricfm/nova
19
March 2006
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In The Meantime (for
two-channel tape)
Presented as an
installation for two loudspeakers at Galleri
Box, Gothenburg by Swedish Radio. Also special feature
on Swedish
Radio throughout December 2005, as part of their series
of pieces on the theme of Limbo.
20-22 December 2005 |
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The Musicians of Bremen (for double
bass, cello and CD)
Premiered in a concert of live electronics by the EAR Ensemble
at Sounds Electric
'05 Festival of Electroacoustic Music. The concert included
works by EAR composers and Linda Buckley, Karen Power and
Elaine Thomazi Freitas.
The Aula Maxima
NUI Maynooth
2 December 2005
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Cloud Types for Auditors
(for 8 loudspeakers)
Irish premier of this ambisonic piece at Sounds
Electric '05 Festival of Electroacoustic Music.
Aula Maxima
NUI Maynooth
2 December 2005
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